Irina, the third daughter of the three Nemoto sisters, is a plain, college science student who wears a white coat and glasses at school. It seems that things are going well with her boyfriend Soga. One day, while Irina is studying ancient Japanese history, she discovers a system in which women share a man sexually.

Muide Eire / We are Ireland documents the history of Ireland on screen. From the horse drawn carriages of Dublin's yesteryear, to the latest summer blockbuster, this film takes an intimate look at film making in Ireland - as a visual expression of Irish culture, celebrating contemporary filmmakers in both the Irish and English languages. From the glamour of the red carpet to behind the scenes 5am starts, We are Ireland invites the viewer into this world where art and industry exist in delicate balance. The heart of this documentary is our investigation into representations of Ireland and the Irish - how the Irish have been viewed abroad, and how we represent ourselves on screen.

An entertainment magazine that included pop-culture features and interviews.

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Cesur（哈坎·伊尔马兹）正如其名般“勇敢”，是一名男护士。他从长时间的昏迷中苏醒过来。实际上，Cesur的生活与想象有所不同。他既没有结婚，也没有孩子。他唯一心爱的人是Ceyda，两人目前是情侣关系。然而，Cesur并不受Ceyda的父亲费提的待见。

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In a world where ranking determines the value of a player, a gang of skilled gamers find a quick way to get rich by breaking the rules.

Vivek is 17, and as every middle-class family in India would attest, it is high time he was enrolled in coaching classes for the notoriously competitive entrance exams of the Indian Institutes of Technology (IITs). Vivek’s father, who sees an IIT degree as a moral certificate, ships his only son off to a residential preparatory school in Kota, the Mecca for IIT coaching. Over two years, Vivek goes through the motions of Indian adolescence, but it is his parents who do the growing up.　　Steeped in the pop culture of liberalised India in the 1990s, multi-hyphenate Varun Grover’s semi-autobiographical debut feature All India Rank is a smart, bittersweet portrait of a nascent national hallucination. Leaning on Grover’s characteristically acerbic wit and eloquent lines, the film diagnoses the malaise of a society where children squander their best years living their parents’ dreams and parents let their self-worth repose on their children’s achievements.　　With a sharp eye and a velvet glove, Grover, an IIT graduate himself, comes down on middle-class India’s repression, casual corruption and chronic inability to communicate. But All India Rank is a generous work in the way it allows Vivek a space to float in a state of not knowing what he wants, like “a moth among butterflies”. Vivek refuses to dream, and therein lies his salvation.

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